Born and raised in Hong Kong, Bo Choy’s practice has evolved out of the densely populated cityscape—her experiences are far removed from the untouched shores of Lake Baikal or the vast permafrost expanse beyond. Her video, performance, and sound works have navigated the layered histories and disparate realities of the city, through the poetics of memories and tales, and reflections of the past, often knitted together with speculations on the future.
For Dissolving Earths, considering a seemingly drastically different content, she seeks out shared entanglements with the land. Seeped in shared Eastern philosophies and deeper still through ancient ancestries, Bo Choy considers the fragile Buryat landscape alongside Buryat and Chinese mythologies. In the story of Meng Po, the Guardian of Forgetting and the gatekeeper at the Bridge of Reincarnation, souls are fed to the Soup of Oblivion to ensure memories of their past lives are erased. Through poetry, sound, and image, Bo Choy’s project attempts to remember the lives, stories, and emotions lost in time so as to know, understand, and connect:
“How should one know a faraway land? Socrates believed that all knowledge is a form of remembering, and that each person’s soul, being immortal, knew everything before it was born anew.”
Depicting the imagination of a disappearing land, for Bo Choy this new video work is the result of a generous gift of knowledge, wisdom, and memory exchange: amongst contemporaries, as well as with the shared ancestral foremothers of the region. The precarious permafrost landscape becomes a constellation of the collective memory and the collective unconscious: an umbilical cord of multiple histories, connecting new life to old life, and ripe with future possibilities.
If you want to delve deeper into the permafrost, visit the full online programme Dissolving Earths HERE.