The work of Ana María Millán addresses the politics of animation and technic in relation to  digital cultures and subcultures, gender, magic, and propaganda. She has developed techniques based on role playing, reenactment, and ideas about animation as methodology to make a series of plays that end in the form of narrative films. These works speak from amateur cultures, pop political culture, sound territories, nature, and technology, incorporating the possibilities and uncertainties of the processes that have shaped them. Her work has been shown in the 13th Gwangju Biennale—Minds Rising Spirits Tuning 2021; Art Encounters Biennial, Timișoara, Romania 2019; Kunstinstituut Melly (solo), Rotterdam; El ruido de las cosas al caer, FRAC Provence Alpes Côte d’Azur, Marseille 2017; Immortality for all, Savvy Contemporary, Berlin 2016; Frío en Colombia, Luis Caballero prize (solo), Archivo General de la Nación, Bogotá 2015; Ir para Volver, 12 Bienal de Cuenca, Cuenca 2014; ¿Tierra de Nadie?, Centro Cultural Montehermoso, Vitoria-Gasteiz 2011; AUTO-KINO! presented by Phil Collins, Temporäre Kunsthalle, Berlin 2009; Historias Colaterales, Centro Cultural de España, Guatemala 2008; I Still Believe in Miracles – part I, Musée d’Art Moderne de la Ville de Paris 2005.